This is another transcription where the notes do not really come close to capturing the sound that Ed Haley is creating.  In the second and third parts, especially, there is some very subtle bow work and note slurring that I have not tried to annotate here. One thing in particular is the B notes in the third and fourth measures of the second and third lines, which are really upward slides, giving the tune a very loose, raggy feel without losing the drive. Also, the DB double-stops in the third part are really played with just one long bow stroke, all the way into the leading note of the next measure.