Joseph
Cotten plays Alan Quinton, an officer on the Italian front
who writes love letters for his friend Roger to send back
home to Victoria, Roger's fiance. When Alan returns home
from the war, he learns that Roger was murdered and that
Victoria was charged with the killing. He soon meets Victoria,
who now has amnesia and goes by the name Singleton. They
fall in love and marry as Singleton's memory slowly begins
to return and she is tormented by recollections of what
really happened on the night of her husband's murder.
Love
Letters is a moodily atmospheric
film, dramatically photographed by Lee Garmes and features
one of Jennifer Jone's best performances. She had been idle
for six months following the completion of Since
You Went Away as Selznick searched for a suitable
project to lavish on her. When Paramount and producer Hal
Wallis requested her for Love Letters, she jumped
at the chance and Selznick okayed the project with the requirement
that the film be completed before January 1, 1945, the start
date for Duel
In The Sun. Wallis agreed with the terms and the
picture was completed a few day before Christmas.
The
film was directed by William Dieterle, a German director
who later coaxed another great performance from Jennifer
in Portrait
of Jennie. Singleton was a complex character with
neurotic shadowing that appealed to Jennifer. She has some
very fine moments, notably the scene on the witness stand
in which she eloquently tells the prosecutor what the letters
meant to her. She was also beautifully photographed by cinematographer
Lee Garmes. She was nominated for Best Actress but lost
to Joan Crawford (for Mildred Pierce). The film also
received nominations for Art Direction, Scoring and Song.
Interesting
Tidbits -
*The role of Singleton was initially planned for Ann Richards,
but when Jennifer became available, Richards ended up playing
Dilly, Singleton's friend.
*In
the first scene in which Cotten is writing the letter, the
handwriting and the hand shown in close-up is Selznick's!
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Cluny
Brown 