There is a never-ending struggle in this life between the selfless,
sacrificial forces of good and the selfish, greedy forces of evil.
The Boar's Head ceremony is one of the many ways in which the
Church tries to picture this battle and to show the ultimate triumph
of Christ over sin.
In Norman England the boar was a ferocious beast and sovereign
of the forest, a danger and a menace to man, and therefore a symbol
of evil. The presentation of the boar's head a Christmas time
signifies the triumph of the Christ Child over sin. The fresh
yule log, lighted by last years embers and representing the warmth
of the family fireside , has from the earliest times marked the
rekindling of love as the old year passed and the new one was
born.
It is probable that the Boar's Head ceremony is the oldest continuing
festival of the Christmas season. Records show that it was used
at Queen's College, Oxford shortly after its founding in 1340.
This colorful ceremony at Oxford, sung by dons and scholars,
became a part of the Christmas celebration in the great manor
houses of England.
In colonial America a number of families carried on this tradition
in their homes. In 1888 Dr. Tibbits, a descendant of one of these
early families, became Episcopal Rector of the Hoosac School in
Hoosick Falls, New York, and established the festival there.
Christ Church, Cincinnati, gave its first performance in 1940,
adapting it for presentation in its Church building. What formerly
had been a ceremony of the lord of the manor has become a Service
of Praise of the Lord of the Universe.
In the Church comes the tiny light of a burning taper, borne by
a sprite, symbolizing the coming of Jesus into a darkened world.
The taper is given to the Church, and into its growing radiance
there comes a noble company of knights and attendants bearing
the Boar's Head with many accoutrements. The bright procession,
led by a minstrel singing the traditional carol, moves triumphantly
about the Church and, at length, presents its conquered enemy
near the altar. In dignity and order the long line of companies
group themselves before the sanctuary - the Herald and his men,
the Mince Pie Company, the Cook and his apprentices, the Huntsman
and his page, a Company, a Company of small Yule pages, and Good
King Wenceslas, a symbol of Christian knightliness, and St. Nicholas.
When all are assembled around the Yule Candle, gay carols are
sung as young Woodsmen pull In the Yule Log and a band of Waits
come strolling through the congregation asking God's blessing
on one and all.
There is a change in the mood and the music as the service proceeds
to tell of man's deep longing for and search after God. The humble
Shepherds come, seeking the new-born Babe. Strangers from the
East and Kings approach, looking for Him who is the "King
of Kings." Their search ends at the altar. As the Kings
present their gifts to the Christ Child, all kneel reverently
as men have done since God first came to earth at Christmas.
The oldest Wise Man and the tiniest sprite join in singing of
one of the oldest and most beautiful hymns of adoration, "Let
All Mortal Flesh Keep Silence".
After all have offered their unique gifts to the Christ Child
on His birthday, they go forth to glorious strains of "Adeste
Fidelis." Then again, as at the beginning, the tiny sprite
joins the pastor at the altar, from the light symbolizing triumphant
Christianity is carried out into the world.